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Now in its twenty-third edition in Italy and translated into seventeen languages, How to Write a Thesis has become a classic. Remarkably, this is its first, long overdue publication in English.

Eco's approach is anything but dry and academic. He not only offers practical advice but also considers larger questions about the value of the thesis-writing exercise. How to Write a Thesis is unlike any other writing manual. It reads like a novel.

It is opinionated. It is frequently irreverent, sometimes polemical, and often hilarious.

Eco advises students how to avoid "thesis neurosis" and he answers the important question "Must You Read Books? How to Write a Thesis belongs on the bookshelves of students, teachers, writers, and Eco fans everywhere. Already a classic, it would fit nicely between two other classics: Strunk and White and The Name of the Rose.

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Recensie s Although first published in Italian in , before Eco The Name of the Rose became an internationally renowned novelist, this guide to writing a thesis-originally aimed at Italian humanities undergraduates-brims with practical advice useful for writing research papers His advocacy of index card files to organize data seems quaintly nostalgic in the age of laptops and online databases, but it only underscores the importance of applying these more sophisticated tools to achieve the thoroughness of the results that he advocates.

Best of all, the absolutely superb chapter on how to write is worth triple the price of admission on its own. It is witty but sober, genial but demanding-and remarkably uncynical about the rewards of the thesis, both for the person writing it and for the enterprise of scholarship itself Some of Eco's advice is, if anything, even more valuable now, given the ubiquity and seeming omniscience of our digital tools Eco's humor never detracts from his serious intent.

And anyway, even the sardonic pointers on cheating are instructive in their way.

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Instead, it's about what, in Eco's rhapsodic and often funny book, the thesis represents: Even sections such as that recommending the combinatory system of handwritten index cards, while outdated in the digital age, can propose a helpful exercise in critical thinking, and add a certain vintage appeal to the book.

Lees de eerste pagina's. Reviews Schrijf een review.

Ariu 25 november Ik raad dit product aan. Goede kwaliteit. Geschreven bij How to Write a Thesis Goede kwaliteit, dat is wat ik er goed aan vind. Vond je dit een nuttige review?

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Umberto Eco. Schrijf een review. E-mail deze pagina. Bekijk video. John Wiley And Sons Ltd. He is best known internationally for his novel Il nome della rosa The Name of the Rose , a historical mystery combining semiotics in fiction with biblical analysis, medieval studies, and literary theory.

Alles van Umberto Eco. Toon meer Toon minder.

Samenvatting The idea that there once existed a language which perfectly and unambiguously expressed the essence of all possible things and concepts has occupied the minds of philosophers, theologians, mystics and others for at least two millennia. This is an investigation into the history of that idea and of its profound influence on European thought, culture and history. From the early Dark Ages to the Renaissance it was widely believed that the language spoken in the Garden of Eden was just such a language, and that all current languages were its decadent descendants from the catastrophe of the Fall and at Babel.

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The recovery of that language would, for theologians, express the nature of divinity, for cabbalists allow access to hidden knowledge and power, and for philosophers reveal the nature of truth. Versions of these ideas remained current in the Enlightenment, and have recently received fresh impetus in attempts to create a natural language for artificial intelligence. The story that Umberto Eco tells ranges widely from the writings of Augustine, Dante, Descartes and Rousseau, arcane treatises on cabbalism and magic, to the history of the study of language and its origins.

He demonstrates the initimate relation between language and identity and describes, for example, how and why the Irish, English, Germans and Swedes - one of whom presented God talking in Swedish to Adam, who replied in Danish, while the serpent tempted Eve in French - have variously claimed their language as closest to the original.

He also shows how the late eighteenth-century discovery of a proto-language Indo-European for the Aryan peoples was perverted to support notions of racial superiority. To this subtle exposition of a history of extraordinary complexity, Umberto Eco links the associated history of the manner in which the sounds of language and concepts have been written and symbolized.

Lucidly and wittily written, the book is, in sum, a tour de force of scholarly detection and cultural interpretation, providing a series of original perspectives on two thousand years of European History. The paperback edition of this book is not available through Blackwell outside of North America.

Recensie s This is as much a history of the study of language and its origins as it is a tour de force pursuit using scholarly detection and cultural interpretation, thus providing a series of original perspectives on two thousand years of European history.

The Medieval Review.

Il Nome Della Rosa 9788845210662 Umberto

Vertaling Vertaald door James Fentress. Reviews Schrijf een review.His text is thought-provoking, often outright funny, and full of surprising juxtapositions. Alle prijzen zijn inclusief BTW en andere heffingen en exclusief eventuele verzendkosten en servicekosten. Semiologo, romanziere, critico, bibliofilo collezionista legati article, novels will analyzed postmodern neo-realist narration.

It reads like a novel. Michael Murrin Trade and Romance 33, Semiologo, romanziere, critico, bibliofilo collezionista legati article, novels will analyzed postmodern neo-realist narration.